Archive for January, 2007

A memory: the Lowest of the Low

I have been a fan of the Lowest of the Low since they released Shakespeare My Butt back in 1993 (wow…has it been that long?).  Back then, my friend Richard and I used to follow two bands regularly: the Low and Dig Circus.  Dig Circus played more frequently in Toronto than the Low, but both bands were favourites of ours.  I remember the poetry in the lyrics, and how Ron Hawkins had a way of writing that made me think he gets it.

When the Low broke up in 1994(ish) - and Dig Circus did the same at around the same I felt a certain sadness. Music is a very personal thing, because it can sink very deeply into your consciousness.  I can hear songs from my teenage years and remember exactly what I was doing at the first moment I heard that song.  So, when I realized that there would be no new music from the Lowest of the Low, I felt pretty let down.  Because here was a band that was intelligent, poetic, honest, and literary, and I respected the artistry of their music and their performances.  Of course what I couldn’t know was what was going on in the background that caused the break up.

I was quite happy when Ron Hawkins and his new band the Rusty Nails started playing (though they never played live quite often enough for my liking).  Ron’s ability to manipulate words was intact, and this new band had a great mix of Punk, Folk and Swing music (all rolled into one). 

When the Lowest of the Low reunited for 6 shows (3 in Toronto and 3 in Buffalo), I was quite happy.  I hoped that they would reunite more permanently, and start making music regularly. In 2004 they released Sordid Fiction, which was a good album, if not their best.  They started playing pretty regularly.  And then, in November of last year, they announced their last show.  They weren’t breaking up, they just weren’t scheduling any new shows.  In a way, i can see why: the crowds who came to their shows were looking for nostalgia. They wanted to hear the songs they knew from Shakespeare my Butt and Halucigenia.  They weren’t interested in the new songs.  They wanted the songs that took them back to 1993.  But the buys were able to still turn out some great songs.  Songs that a lot of people missed at hte live shows because they were only paying attention when the songs they knew were played

At that last show, near the end of the set, Stephen Stanley got up and started to play a simple tune on his guitar, and he began to sing:

Analog used to crackle fine
And camouflage has been a friend of mine
And bending signals undefined
A slight of hand like turpentine

Backed by the rest of the band, he continued into the song, and I stood there at the Legendary Horseshoe Tavern and just…listened.

August 12, a New York City heat
Outside the phone booth where we used to meet
To never doubt the clouds that burst
A waterfall to quench your thirst

But the frequency fell out to rain clouds instead
And the newspaper spelled out this airwave is dead
I used to hang on every word that you said

I remember the first time I heard Ron Hawkins perform Subversives.  Or Rumours and Whispers.  It was the same feeling. 

To catch a glimpse of everything you fear
And cut the cords that grin from there to here
These things aren’t always what they seem
When frozen still in headlight beams
But the frequency fell out to rain clouds instead
And the newspaper spelled out this airwave is dead
I used to hang on every word

Then the song was over.  And for a moment, I didn’t do anything. I held my breath.  It was as if I was holding onto the moment, not wanting the song to end.  And then, finally, I exhaled.  And I turned to Jenn (who had come to the show with me) and we both just said: Wow.

There was nothing else do say.  The song ended, and the band moved on.  And I kept wanting to find the song again.  I’m waiting for Stephen Stanley to release it on a CD.  Or perhaps to play it at a live gig again sometime.

To the beat of your transistor heart
Keeping time as the city lights fall dark
Here’s to the ones that burned out way too soon
Here’s to the names whispered in every room
Like fireflies caught under glass
That once were bring that burned out fast
But the frequency fell out to rain clouds instead
And the newspaper spelled out this airwave is dead
Rain clouds instead
Airwave is dead

You can hear Transistor Heart on Stephen Stanley’s myspace page.

Fortune Cookies

I seem to have a very strange relationship with Fortune Cookies of late.  Twice now, I’ve received some odd fortunes in cookies I’ve received either at a restaurant or having take-out.  Most times in the past, when I’ve received a fortunate cookie, its only been as odd as to be hilariously funny when adding “in bed” at the end.  However, when I recieve two really strange fortunes in a row, I have to take notice. 

When, instead of receiving some vague confucius-like pronouncement.  However, when I instead receive “ask not what your fortune cookie can do for you” and “Promote Literacy. Buy a box of fortune cookies today“, I kinda wonder if the universe is telling me something. 

Chances are, its not.  But it does seem to be soemthing to take notice of.  So, I’m going to document all fortune cookies I receive in the future in this space.  And you’ll be able to read them all here.

Let’s see what this adventure holds, shall we?

randomness: another fortune cookie

Yesterday’s Fortune cookie:

“Promote Literacy. Buy a box of fortune cookies today.”

Totally random: best fortune cookie evah

Today, having Chinese food, I received the following fortune in my fortune cookie:

“Ask not what your fortune cookie can do for you, but what you can do for your fortune cookie.”

Something strange

Something strange happened today.

I didn’t have any work to do.  We’re in between things, waiting for content before any work can actually begin.  So, I was sitting at my desk trying to look busy, or find things to do.  This was getting harder and harder to do, since I’m still in training and haven’t been handed a project of my own. So, I was reading through the technical manuals for the application that we use here, and….well, getting very bored (its pretty dry reading).  Then I started reading about some of the laws in Canada and the US that apply to us and how the best practices are organized.

Yeah.  really exciting I know.

Then my boss comes up to me, and says that he’s sorry that he desn’t have any work for me, but that its all going to come at once and that I should enjoy the time.

So, basically…don’t sweat the lack of work.

Coming from the call centre I’ve come from…that’s new a new concept.  Really new.  In te call centre…if I didn’t look busy, there was going to be trouble.

This really is a very different environment.

Its good, but its going to take getting used to.

Work: am I doing something wrong?

Here is an interesting state of affairs.

I’m sitting at work, and I’m not doing anything.  I had some things to do, but those are done.  I’m waiting on someone else before I can move forward on the second thing that had been set out for me today.  And now…I’m not doing anything.

Before I started, I was warned that I might be a bit bored during the first couple of weeks.  At the moment, that’s certainly holding true.  Coming from a call centre background, the idea of not doing anything is pretty foreign.  I’m more comfortable if there is pretty much constantly something to do.  Part of me keeps wondering if I’m not doing something that I should be doing.  Am I slacking and not realizing it?  Is someone going to come up to me and tell me I’m being let go?

Or is this the way that “grown up” workplaces are? 

Its just…very disorienting…

Acting business: dangerous concepts

I saw this article in the Toronto Star today.  For some time, the Alliance of Canadian Cinema, Television and Radio Artists has been in negotiations for a collective bargaining agreement with the  assosication that represents Canadian television producers.

It hasn’t been going well.  In fact, recently ACTRA has said that their members will walk off the job if an agreement is not reached by midnight on Sunday.  ACTRA originally had a strike mandate from its members as of January 1, but agreed to put this off in order to return to the table for further negotiations.

The chief negotiator now says that any strike would be illegal and is threatening legal action if ACTRA members walk. 

But that’s not the bad part.  Here’s the worst of it:

In the event of a strike on Monday, Barrack said the producers’ association will seek to have the action halted in an Ontario court, and to have an arbitrator determine such fundamental questions as whether ACTRA members are legitimately represented by the union and whether the strike’s timing is legal. Because performers are considered independent contractors, there is an “open question” whether they are members of a union or an association, or even whether a legal collective agreement exists, Barrack said.

(the italics are mine)

This is a dangerous statement.  All of the professional performing artists’ associations follow the same system.  Collective agreements exist with the various theatre associations  Canadian Actor’s Equity is the same.  The concept is the same for all of the actors unions: Actors are self-employed artists, who are engaged by a theatre for a specific time period to perform a show or shows.  The unions grew out of a need: actors were being used and abused and often grossly underpaid.  Equity and ACTRA have existed and have bargained on behalf of performing artists for many years, and always in good faith.

Why are the producers now trying to open the question as to whether ACTRA is a union or has the legal ability to negotiate a collective agreement?  Probably because they stand to lose if ACTRA members do strike.  Chances are they haven’t been negotiating fairly or even with a will to make a real agreement.  So, if ACTRA members strike, they can’t make the shows that are their bread and butter. So, at the expense of the talent that they can’t work without they are willing to do a little “union breaking” in order to keep the actors working.

I’m curious (and somewhat frightened) to see where this goes.