Archive for 'Acting'

A quandry

So, I’ve realized recently, that I don’t really have any theatre projects coming up.  I’m currently working on a dramatic reading of D.J. Sylvis’ play The Nefarious Bed and Breakfast (reading is on January 18 at the Centre for the Arts /plug), however, after this is done, I don’t have any acting projects.

Now, in theory, this should give me some time to do some writing, but I keep feeling like if I don’t do some acting, I’ll lose momentum.

I saw a couple of audition postings I might like to go for for the summer, but that presents a bit of a quandry.  One of these projects would take me out of town for a number of weeks, and that is something I’m not certain how to deal with.  I’m at my current job, and its going well, but I’m not quite sure what the logistics of taking a leave for several weeks would be.

That’s the big dilemma: the sacrifice between comfortable, well-paying job, and pursuing paid acting work.

What would you do if you had to chose?

Keystone Theatre Fundraiser

This morning I posted the Facebook event for the November 13th fundraiser for Keystone Theatre at the Bloor Cinema.  Yesterday, finally online payment for the event on the website (via paypal, which has its downside…but we do want to make it as easy as possible for people to buy tickets).

I’m really very excited by the people we have performing at this fundraiser.  People like the Rumoli Brothers, Chris Mysterion, and Brent Carver, to name just three.  We’ll also have a couple of examples scenes from the show we’re developing in the silent film style, in addition to showing two films: Buster Keaton’s “Cops” and Charlie Chaplin’s “The Tramp”, but instead of relying on pre-recorded music, we’re going to have live accompaniment to the films, just like they would have had when they were originally shown in theatres.

I hope that Toronto people will be able to come, not only to support this show that I’ve been involved in for about 2 years, but also to have a great time at this event.

Also, feel free to become a fan of Keystone Theatre on Facebook (if you do that kind of thing), or simply by checking the website for updates on a regular basis.

Let’s call him Shawn, eh?*

*quote from Wallace and Gromit, A Close Shave.

On Saturday, we’re doing a photo shoot for Keystone Theatre, and since the style of the silent film era really requires me to be clean shaven, tonight I have gone from this:

Well, isn't this an unflattering pic?

To this:

Wow, this is an even MORE unflattering pic!

Pretty frightening, isn’t it?

Truth is, I hate doing this. I’m so used to seeing myself with facial hair, that its quite a shock to me to see my face without it.  I don’t even really register that its even me.  It looks like someone else.  Which is really awkward when a face I don’t really recognize is looking at me from the mirror.

The things we do for art.

In other news, its really hit me today that my dog is getting on in years.  I mean really getting on.  I noticed today that when we went on our walk that he was looking like he was working at it harder than he used to.  And he moved slower than I recalled from what seems like just a short while ago.  Worst of all, twice, he lost his back legs out from under him.  Both times, he got excited about seeing a squirrel and tried to lunge forward, but is back legs just wouldn’t cooperate.  It was sad to see.  Made me realize that I’m probably not going to have him for much longer, because age will claim him. 

I remember during some of the worst times in my life, over the past few years, he’s been there.  When Erika and my sister died, he stuck by me, lying at my feet, following me around, making me laugh when I really needed it. Its going to be hard to say goodbye when I have to.

Practically speaking…I’ve also realized that I have no idea what to do when he does.  If he dies at home, then I’m really not sure what to do.  Don’t know any of the legalities around, what to do with the body.  Even though I don’t want to think about it, I’m going to have to.  Anyone out there know what one is supposed to do when a pet dies?  Especially if they are a larger animal?

Theatre of the Obsessed

Early in the summer, I was approached by D.J. Sylvis to act in a collection of short plays called Theatre of the Obsessed.  Unfortunately, due to obligations to Keystone Theatre, I was unable to actually do the show, no matter how keen I was to be a part of it.  Sadly, I had to withdraw.

However, I wanted everyone to take note of the performance dates for this show: September 24-27th at the Centre for the Arts, 263 Adelaide Street West, Toronto.  The plays by Mr. Sylvis are pretty Geektastic, and I highly recommend them to anyone who has an interest in Science Fiction, werewolves, or giant monkeys (seriously).

Sorta kinda disappointed

So there’s this totally amazing workshop intensive next weekend that I really would love to be able to do. Its a workshop to help teach the participants about creating their own one-person shows.  This workshop is exactly something that i’ve been wanting to do for a while.

Unfortunately, the silent film project is booked for time on Saturdays, which would prevent me from being able to participate

But also, the course is $250 that I don’t have.

Sadly even if I did have the money, the commitment to the silent film project has to take precendence.  So all I can do is hope that it comes around again some time soon.

Well that snuck up on me

Toronto Fringe starts next week, and I haven’t even seen a program lying around.  I have no idea what to see.

Has anyone seen any programs?  Heard any buzz?  Anything at all?

Update: according to the Fringe web page, programs are not at as many places as they have been in previous years.  I remember previously finding them at a Starbucks and a Pizza Pizza.  This year…seems they have limited distribution…

Actorly bitching

Its a lean summer.  I have no fringe show on the horizon.  No Summerworks. I do have a show in the works that will start rehearsing in August…but that seems so far away right now.

You guessed it. I’m jonesing for some theatre to do.

I’d also kinda like to get back to some Shakespeare, which I haven’t performed in…well, a year. 

I’ll keep patient, and hopefully either something will come up, or I’ll be able to pass the time until the project in August starts up.

If…

stills If I’m ever going to play the role of Stephen Stills1 in the Scott Pilgrim movie2, I have to do two things:

  1. Lose a bit of weight
  2. Learn to play guitar

 

1. I’m kidding.  They’ll cast someone better known, I think.  But hey, who knows.  Maybe between now and then, I’ll have an agent and be able to wrangle a role (doubful, but a guy can dream).

2. Don’t know who Scott Pilgrim is? Shame on you!  Go out and buy it now.  No.  I mean it.  Right now!

Happy World Theatre Day

Today is World Theatre Day.  This year’s artist featured on the UNESCO WTD page is Canadian Theatre Director Robert LePage.  They’ve asked him to share a message, and he shares a nice little fable about the birth of theatre.  But that’s not my favourite part.  To me, the best part of the whole page is the following quote:

Theatre has to reinvent itself.

Its right there on the top of the page.  And I wholeheartedly agree.

There’s a common perception about theatre.  To most people, its something the rich do. And judging from the prices of most theatre tickets, who could blame them?  Theatre is perceived as something stodgy, or staid and traditional.  Some theatre companies don’t do much to fight that perception, either by sticking to the same old plays by the same old established writers, or by catering to what is commonly referred to as the "blue hair crowd".

In the age of big budget movies and interactive video games, theatre can’t rely on its old tricks.  New stories have to be told in new ways.  That’s not to say that the plays of Shakespeare need to be dropped from their place in most theatre company’s rosters. Far from it.  However, the grand costume parades that some productions have become should probably become a bit more rare.   Putting your characters into period costumes, while a great showcase for the costume designer, usually puts a wall between the story unfolding on the stage and the audience.  There’s nothing wrong with using modern clothes.  After all: Shakespeare did.  All of his productions used clothing that was contemporary to his day, regardless of the period being covered. 

Ask someone what they see Opera as.  They will probably tell you that they perceive the Opera as an expensive night out, where they pay a lot for a ticket, dress up in their best clothes, and sit in a theatre being bored.  For a lot of people, theatre itself threatens to become that very same thing.

And that shouldn’t be allowed to happen.

I have a friend who half-jokingly refers to theatre as the "Bastard child of film", and likes to tell me that theatre is obsolete and has been supplanted by film.  I can’t agree with this (which he knows, and I’m pretty sure he just says it to watch me turn a shade of purple).  One thing that’s missing from film is the live actor.  During my first days of theatre school, the head of the acting program asked us to define "theatre".  We all described theatre as the building, or the play, or the actors, or the audience, or some combination.  After a few ideas were thrown out, we were told what I still hold is the "proper" definition: Theatre is that moment when the actors on the stage and the audience in the auditorium breathe together.  And that’s something that doesn’t happen in film.  Sadly, I think that moment is becoming rarer in live theatre.  If it happened more often, audiences would never want to stop going to theatre.

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In sad news on this World Theatre day, it seems that Equity Showcase is closing shop, due to a funding crisis.  Equity Showcase was

Founded in 1960 by a group that included Charmion King, Amelia Hall and Christopher Newton, it was created to keep actors in the game when performing jobs were hard to come by. Equity Showcase Theatre put on as many as four productions a year of mostly well-known plays. In 1978, the organization began offering training and professional development workshops.

Wolves in the Walls

Apparently, the National Theatre of Scotland’s adaptation of Neil Gaiman’s Wolves in the Walls opens in New York in October.

That, I think, would be worth seeing…